I photograph in the streets — where everything is real. I'm drawn to spontaneity, fleeting glances, unplanned scenes. In each frame, I try to preserve a sense of presence: so the viewer doesn't just see a moment, but feels its rhythm, its breath, its silence or noise.

In my work, I follow clear visual principles — composition, balance, legibility. That matters especially when the images are meant for others. But in personal projects, I allow myself to break the rules, to explore something different: distortions, reflections, caught fragments of light. It’s not about technique — it’s about feeling.

I shoot with Canon gear and choose lenses depending on the story — often using telephoto to observe from a distance without disturbing the moment. Equipment helps, but it doesn't define the result: what matters most is raising the camera at the right time and being honest about what you see.